/’fu:bar/ Glitch art festival 2020

SAT 03.10. 17:00 [online exhibition]
ONLINE EXHIBITION OPENING [180’]
expo.fubar.space

As 2020 brought us widespread change, and influenced all of our communities – emotionally and physically, privately and professionally, creatively and financially – we have decided to move most of our program collaborations online. Apart from our shared international C-19 struggles, our home city was also hit by an M5.5 earthquake on Mar 22nd 2020 and floods on Jul 24th, significantly damaging our AKC Medika cultural venue (as well as many other Zagreb homes and buildings). Parts of the venue are damaged and/or endangered far beyond DIY repairs (e.g. Hacklab01.org, DZIU performance hall, etc.), and the owner (the City of Zagreb) is, six full months after the earthquake, yet to allow and hopefully begin the utmost *urgent* repairs, which in turn disabled us from making any /’fu:bar/ program plans similar to previous years. (More details on this are available via the host org’s web.)
Fortunately our host gallery – Siva has so far been left intact and our #fubar_expo art exhibition display as well as one local workshop will be accessible in the gallery space. But due to the earthquake and flooding damage no other aspect of the festival can extend into our physical venue space. Following these complex threads of events, we have decided to fully digitise our venue so we can construct future /’fu:bar/ events and collabs regardless of our venue’s physical (im)permanence or any political (lack of) agendas to (not) invest in maintaining non-profit urban and community culture spaces.
Our new digital, web-based exhibition space (fubar.space) is a virtual replica of our AKC Medika cultural venue, built by v3d (our curator/producer/organizer/everything, assisted by a few dear /’fu:bar/ friends&volunteers), by means of the Unity game engine.
The work shown in this virtual exhibition is an up-to-date (somewhat structured but predominantly scattered) community archive of digital&digitised media glitch art, in a broad span of visual, video, web-based, interactive, generative and sound art. Artists participating in this exhibition have volunteered their time and shared their work to support our community event, and have entrusted us to present you their hopes and struggles via additional metadata on current changes in their lives and artistic production.
Although web-based virtual spaces are not yet fully accessible to everyone (and our gallery space is not yet optimized for mobile phones), it was the closest we could get to democratizing gallery space interaction and currently the most immersive way to share our collaborative efforts. We hope your experience in viewing this gallery is a constructive one.

expo.fubar.space

Remember to be excellent to each other && see you online at our virtual #fubar_expo online launch. ♥

If you find a bug, or wish to file any type of report, please contact us at: fubar@hacklab01.org

SAT 03.10. 18:00 [online discussion]
ONLINE GUIDED TOUR [60’]
live.fubar.space/b/fubar

We invite you to join our first #fubar_expo online guided tour, in a mixed recorded*streamed format, open to discussion and reflection.

/’fu:bar/ – our yearly community arts event is currently the longest running glitch art themed festival in the world (*&universe?*), including thousands of artworks/contemplations/experiments just over its intial 5 iterations, and hosting about 100 glitch artists and/or their work per event. (Did you see the fabulous support video our community made us all in 2019?)

Our digital exhibition space (expo.fubar.space) is a virtual environment built by v3d (our curator/producer/organizer/everything, assisted by a few dear /’fu:bar/ friends&volunteers), by means of the Unity game engine. This 3D structure is a replica of our AKC Medika cultural venue, in all its gore and glory. The multimedia art selected for the 2020 #fubar_expo is installed both in the physical space of gallery Siva and in the virtual AKC Medika (as the venue was recently heavily damaged by an earthquake, urgent repairs delay by the owner, and a flood).

Our online guided tour session is meant as an introduction to this interactive digitized space, and as support to visitors’ further explorations of our first virtual /’fu:bar/ 2020 exhibition. The tour will present the {digital} curatorial concept and techniques in creating the venue replica as well as the exhibition install, and will reflect on the many 2020 art pieces shown on display.

live.fubar.space/b/fubar

For bug reports or inquiries contact us at: fubar@hacklab01.org

SAT 03.10. 19:00 [online performance]
Coaxial [US] : Live from Los Angeles [120’]
live.fubar.space/b/coaxial_arts_foundation

A group of Los Angeles video artists livestreams from Coaxial Arts Foundation studios directly to /’fu:bar/. Coaxial hosts a block of artists and facilitates a chunk of live programming.

Tropical Shit: Broso x Videomo
Gay Felony & Eva Aguila
Alex Pelly and Oren Kolin
LoopGoat with Alex the Brown
Panic Hardware

Coaxial Arts Foundation is a 501(c)3 non-profit multi-disciplinary media arts organization devoted to the support of media, sound and performance art. Coaxial provides residencies, studio space, technical support and public exhibition space for live events to showcase underground artists whose works are often not exhibited in galleries as ephemeral art is not conducive to the gallery sales system. Coaxial activates a community of experimental media, sound and performance artists through commissions, events, workshops, live TV tapings, and exhibitions through the foundation’s downtown Los Angeles studio space.
coaxialarts.org

live.fubar.space/b/coaxial_arts_foundation

SUN 04.10. 18:00

#fubar_expo 2k20 team [HR] : GUIDED TOUR @ Siva / AKC Medika / Zagreb [60’]

* Applications mandatory (until Oct 2nd 23:59CEST): fubar@hacklab01.org *

We are happy to invite you to join us on our #fubar_expo #digital_art guided tour, at the physical space of gallery Siva, AKC Medika, Zagreb, Croatia.

/’fu:bar/ – our yearly community arts event is currently the longest running glitch art themed festival in the world, including thousands of artworks/contemplations/experiments just over its intial 5 iterations, and hosting about 100 glitch artists and/or their work per event.

This guided tour session is meant as an introduction to our 2020 collection, and as support to visitors’ further explorations of our first virtual /’fu:bar/ exhibition (accessible online as a virtual interactive web-based installation). The tour will present the exhibition install in depth, as well as some of the {digital} curating techniques enabling inclusive and community-oriented assembly of glitch art archives.

* Important:
Due to current health&safety regulations, participation is limited by the gallery size, and every visitor needs to previously individually register via email to be able to partake: fubar@hacklab01.org
To ensure safety of all – participants should bring their own face masks or will be provided with one free of charge and mandatory to wear, and will have their temperature checked and hands desinfected. If you feel ill prior to the event, please #stay_home, #stay_kind and #stay_well.

SUN 04.10. 20:00 [URL&IRL screening]
VIDEO SCREENING @ Siva & online [120’]

In 2020 we are happy to continue building on expanding our program beyond a classical exhibition format, and to be able to form a selection of recent experimental, specifically glitch-related video art.

What we have chosen to show as part of this year’s screening is part of our #fubar_expo video art selection, which is also being shown as part of the URL/IRL gallery exhibition.

As glitch art is predominantly that of an experimental genre, and most often entails various technical*aesthetical processes to challenge both its semantic and materialist paradigm – we believe the work we have chosen for this screening can incite new types of curiosity towards the vast electronic experiment in short forms of contemporary video art.

ARTISTS & WORK:

• James Cleeland [DE] : Electronic Gucci for Video Clothes [2019, 09’39]
• JB Friquet [BE] : Territoires Hallucinés [2020, 04’59]
• Andre Perim [BR] : Broken rainbow [2020, 05’46]
• Avita Maheen [NL] : Ontological Expressions [2020, 06’25]
• Richard [US] : ontopolologies #2 [2020, 13’44]
• Rudolf Lingens, Danielle Galietti, Roberto Santiago, Sabato Visconti, King Green [US] : ASMR: Conscious Organ [2019, 23’15]
• Brumat Ana and BedouinDrone [NL/SY] : Mishimishan [2019, 10’40]
• cyberboy666 & Alec Budd [DE] : gezeiten [2020, 09’07]

MON 05.10. 14:00 [online workshop]
Eyal Gruss [IL] : Avatars in Zoom for All! [120’]
Zoom Link

* Applications mandatory (until Oct 3rd 23:59CEST): fubar@hacklab01.org

For the workshop you need a computer with a webcam, a modern browser, a Gmail account (it needs to be Google email) and Zoom.
Please think about how you would like to use the webcam to animate facial images and prepare some material (image, video, audio) you would use in the workshop.


We are looking forward to meeting you all!


How can you be anybody in Zoomspace? Very recent developments in deep-learning, allow creating synthetic media of unprecedented quality and ease. The first-order-motion-model can do facial reenactment in real-time, provided with only a single image of your desired avatar. This came not a moment too soon, as Human communication was forced to move online due to the Coronavirus pandemic. Can this be an opportunity to fulfill the long promised cybernetic utopia, where we could shed our physical shells and become however we wish to be? And how does this pertain to issues of privacy, identity and trust? I will review the contemporary technologies and show how I use them in my artistic and activist practices. This is a hands-on participatory tutorial, where you will create deep-fake videos using your own materials, and play with various options of becoming an online avatar. No prior knowledge needed.
Teaser and video invitation: youtu.be/vwW8dSKMpSE

Eyal Gruss is a new-media artist and a machine learning practitioner, holding a PhD in physics. His artistic works explore and exploit the relationship between poetry, technology and society. They include poetry, algorithmic poetry, interactive installations, digital performances, AI art and online interventions. Gruss gives talks and workshops on machine learning and computational creativity, with focus on making them accessible to artists and to the general public. His works were exhibited in Bloomfield Science Museum in Jerusalem, Bat-Yam Museum, Herzelia Museum for contemporary arts, Meter-Al-Meter festival, Ars-Electronica festival, Print Screen festival, Fresh Paint festival, Karov theater, DLD in Tel-Aviv, SVA in New York, Heinz Nixdorf MuseumsForum, Midarom Festival, Utopia Festival, Petach-Tikva Museum, Stuttrart FilmWinter and most importantly the Internet, to name a few. He is also running an opportunities newsletter and a mini-residency for new-media artists.
eyalgruss.com

MON 05.10. 18:00 [online lecture]
@_the_s0urce_ [US] : Noise & Randomness [35’]
live.fubar.space/b/noise_randomness

Pulling from many sources, but most notably Frances Dyson’s the Tone of our Times, and Andrey Smirnov’s Sound in the 20th Century, this talk/performance on Noise & Randomness goes through the history of noise music as seen from an Eastern, as well as Western perspective. We will look at the definitions and uses of noise and randomness in basic computer science and advanced topics such as machine learning. We will connect noise and randomness to ideas of determinism and cosmology. We will demonstrate that ‘noise’ is the sound of technology (or any system) playing itself, and in so doing play the very technologies of the presentation itself in a glorious concert, of noise.

Sofy (@_the_s0urce_) is a site-specific media artist and educator working with sound, video, interactivity, projections, code, paper, and salvaged material. Her work focuses on techno-occult rituals, street performance, and participatory art. Sofy’s performances enact and reframe hegemonies, she works with materials that exemplify our deep entanglement with petro-culture and technology’s affect on consciousness. She has worked on projects at Eyebeam, 3LD, the Netherlands Institute voor Media Kunst, Steim, ARS Electronica, Games for Learning Institute, The Guggenheim (NYC), The National Mall and has taught at GAFFTA, MoMA, NYU, Srishti, and the Rubin Museum. She is a PhD Candidate in Audio-Visual Composition at NYU GSAS.
yuditskaya.com

MON 05.10. 20:00 [online performance]
Paloma Kop, Andrei Jay, Allen Riley, Rob Yohe, and Irfan Brković [US] : Recursive News [30’]
live.fubar.space/b/recursive_news

Recursive News is a collaborative performance involving a long chain of video mixers used for broadcast television around the 1980s-1990s. But in place of being used to report the news, the system is pointed inward on itself.

Paloma Kop, Andrei Jay, Allen Riley, Rob Yohe, and Irfan Brković are a group of electronic artists collaboratively exploring video feedback systems in a basement in Brooklyn, NY.
phase.video

TUE 06.10. 14:00 [online demonstration]
Syntonie [FR] : Live Circuit Bending [90’]
live.fubar.space/b/live_circuit_bending

During the presentation, the artist will open up a video device and start messing with the circuit to get glitch effects. The result will be sent to a capture card for streaming, and another camera will be set up to show the process of circuit bending.

Bastien Lavaud imagines and creates electronic devices for art.
Audio, video and DIY electronics enthusiast; his recent work mainly focuses on reviving old video circuits and extending their capabilities, with an emphasis on making people build them, through documentation posted online and AFK with workshops.
syntonie.fr

TUE 06.10. 18:00 [online lecture]
cyberboy666 [DE] : Introducing Sync-ope [45’]
live.fubar.space/b/sync-ope

An introduction to the joys and struggles of performing with real-time analog video corruption. How to distort a video signal beyond recognition while still ensuring it is recognised by the displaying device? A look into some tools for creating analog glitch-art, some existing techniques for capturing and displaying it, and introducing the SYNC_OPE – a sync restoring circuit the author has been working on with Gael Jaton to address this problem.

cyberboy666 is a video-art and tool-making project by Tim Caldwell from Wellington, New Zealand – currently based in Berlin. Some of his interests include experimental video-art, live video performance, DIY electronics, creative coding, open-source, outsider film making, cult film curating, DIY event organising, community spaces.
cyberboy666.com

TUE 06.10. 20:00 [online performance]
Mike Richison [US] : Electo Electro 2020 [30’]
live.fubar.space/b/electo-electro-2020

Electo Electro 2020 is an interactive installation combining audience participation, music, news footage, and politics. It consists of Diebold Accuvote voting booths, iMacs, iPads, and small speakers. A custom Max MSP Jitter patch makes it possible for participants to remix videos from political rallies, debates, and news in a structured sixteen beat loop. The video clips sample parts of words in order to build percussion tracks, resulting in a breakdown of language. The touchscreen design is a parody of the touchscreen system employed by the Diebold Accuvote, a voting system that is difficult to audit and susceptible to hacking. The parody continues into the format of the installation itself which will resemble a polling station. The interactive graphic user interface is also a reference to musical devices such as the Roland TR 808 and other drum-machines and electronic musical instruments.

Mike Richison is a multimedia artist and an Assistant Professor at Monmouth University in New Jersey where he teaches motion graphics. He employs a variety of approaches including sculpture, graphic design, and interactive video. His work utilizes found objects such as turntables, voting booths, and scavenged video clips as well as the Max MSP Jitter programming environment. Mike has exhibited at Figment NYC and Art in Odd Places (New York); and Peters Valley School of Craft and Morris Museum (New Jersey). His projects have received attention in outlets such as Leonardo, Noisey (Music by VICE), FACT Magazine, Hyperallergic, WABC-TV Channel 7 News New York, and The Washington Post. Before moving to New Jersey in 2007, he lived in the Detroit, Michigan area for several years.
mikerichison.com

THU 08.10. 14:00 [online workshop]
Teuta Gatolin [HR] : Magical objects: Nature, scanners, and companions [120’]

* Applications mandatory! fubar@hacklab01.org

In this workshop, we will be exploring what “errors” can be found by means of scannography (photography made with digital scanners) in materials, movements, objects, textures, compositions, intentions or gaze – and what these errors have to say.
We’ll be using materials and objects found in nature (like plants, horns, stones, seeds, twigs…and tiny parts of e-waste) alongside objects that can confuse our or the scanner’s vision – such as reflective foils, deforming lenses, mirrors and other tricky shiny things. We won’t be shaping an image, we’d go searching for it together.
This workshop is not so concerned with the technological aspects of glitch, but is centred upon an attempt to imagine and un-imagine what we think of when we think of “nature” – using glitch and error as tools in this world-building and fable-making. By searching for errors in a group setting – or glitching with companions, both human and non-human ones – we’ll attempt to pry open our narratives on nature, how we define it, and where we got those definitions from.
The workshop doesn’t require any previous knowledge. There will be a short talk at the beginning covering basic ideas about species entanglement, speculative fabulation and worlding as presented in works by Donna Haraway, Anna Tsing and other writers/artists involved with ecology, eco-feminism and related branches of thinking/doing.
* Note:
Participants should bring their own laptops, preferably with Gimp or Photoshop already installed. All other materials for the workshop are provided, but participants are welcome to bring smaller objects or other materials they find interesting and wish to work with.
If you don’t have a laptop you can bring, please contact teuta.gatolin@hotmail.com or fubar@hacklab01.org, because we do have a laptop or two extra that we can bring for you to work on. 🙂

Teuta Gatolin is an intermedia artist based in Zagreb, Croatia.
In her work she is concerned with chaos, entanglements of various kind and things that live undefined between other defined things. Her artworks are often process-based and spawn iterations of themselves, realized in collaboration with others. Currently working on topics of eco-feminism, climate crisis and species entanglement.
teutagatolin.wordpress.com

WED 07.10. 18:00 [online lecture]
Michael N. Meyer [US] : Signal / Trace [30’]
fubar.space/b/one-pixel-picture-show

In his latest video works, the author builds cascading systems of signal generation, signal transmission and feedback loops that trace image data within its means of observation and realization. In response to self-reinforcing social and technological trends, Michael N. Meyer creates philosophical meditations on machine visions’s tendency towards informationally adjacent seeing, accelerating pace of transmission, and reduction of images to informational packets that can be computed, parsed, copied, and sent on their way. Meyer pares back the processes within his tools to a point of absurdity in order to lay bare the informational processes that are driving contemporary society. In Signal/Trace Meyer will screen one of his Single Pixel Picture Show works and present a contextualizing lecture in which he will examine the underlying philosophical ideas that animate this work and their social implications.

Michael N. Meyer stretches, tweaks and bends the fundamental functioning of his observational tools in order to examine how the design of the devices and processes of observational practice create cascading cultural affect throughout social structures. His work has been exhibited coast to coast in the US as well as in Europe and Asia. In addition to his fine-art practice, Michael is a co-founder of Spectacle Box, a curatorial collective facilitating distribution, and maintains a busy commercial photography studio.
michaelmeyerphoto.com

WED 07.10. 20:00 [online performance]
Nilson Carroll and Ian Downey [US] : Live NES Game Glitches + Noise [20’]
live.fubar.space/b/nes_glitches

Live NES video game corruptions to break the game’s real and implied boundaries, creating broken visuals and jarring noise. The hex code of the game’s RAM is arbitrarily changed as the author tries to play, so each performance is different, completely up to chance.

Nilson Carroll (he/him) is an MFA candidate at Visual Studies Workshop in Rochester, NY. A barista-ROM hacker, Nilson explores 16mm expanded cinema, video projection performance, and makes queer video game installations. He is a champion and curator of anti-fascist, feminist, pro-affection games and art. In 2019, he founded the DIY queer art games collective swampbabes.
nilsoncarroll.com/life_sux.html
Ian Downey is a musician in the band Ian Downey Is Famous, and in the noise performance duo, The Bloody Noes. Read his writing at:
iandowneyisfamous.com

THU 08.10. 18:00 [online lecture]
Rosa Menkman [NL] : Enhance, Boost, Revamp [60’]
fubar.space/b/enhance_boost_revamp

Advance better boost correct develop enhance help increase lift progress promote raise recover reform revamp revise rise upgrade ameliorate amend augment civilize convalesce cultivate edit elevate emend meliorate mend polish purify rally rectify recuperate refine sharpen skyrocket update come around doctor up gain ground look up make strides perk up pick up set right shape up straighten out take off touch up turn the corner

Menkman’s work focuses on noise artifacts that result from accidents in both analogue and digital media (such as glitch and encoding and feedback artifacts). The resulting artifacts of these accidents can facilitate an important insight into the otherwise obscure alchemy of standardization via resolutions.
The standardization of resolutions is a process that generally imposes efficiency, order and functionality on our technologies. It does not just involve the creation of protocols and solutions, but also entails the obfuscation of compromises and the black-boxing of alternative possibilities, which are as a result in danger of staying forever unseen or even forgotten.
Through her research, which is both practice based and theoretical, she uncovers these anti-utopic, lost and unseen or simply “too good to be implemented” resolutions — to produce new ways to use and perceive through and with our technologies.
beyondresolution.info

THU 08.10. 20:00 [online performance] Luka Prinčič [SI] : trans.fail [35’]

EVENT CANCELLED – join our open session instead!

THU 08.10. 20:00 [open session]
live.fubar.space/b/fubar

A glitchy online streamed telematic solo hybrid performance utilising prerecorded and real-time live audio-visual elements and text forming often frantic and chaotic mesh of data, images and noise. In some ways, it’s a stream of consciousness, but through another perspective, it’s again at least partially controlled artistic method and form. It’s sourcing data and transfiguration from number of channels: as much as possible from today’s media-oversaturation, especially trove of online videos, home-made software, sonic explorations and visual algorithms, hacks, glitchings, and number of thematic interests in the background: slavic-romani myth-futurisms, gender fluidity, imperialism, media theories, praxis and artistic critique of digital capitalism. This is a telematic research on successes and failures of media/gender. How can a gender be seen, used, and/or realized as a medium for nomadic thought, and how are contemporary digital media gendered in their appearances and/or algorithmic backends?

Luka Prinčič is a musician, sound designer and media artist. He has been writing music, creating sound art, performing, and manipulating new media in various ways since mid-’90s. He specialises in computer music, elaborated funk beats, immersive soundscapes, incidental music for live arts & video, and digital media experiments. He performed at festivals like Ars Electronica (Linz), EMAF (Osnabrueck), Netmage (Bologna) and Trouble (Brussels), worked at Ljubljana Digital Media Lab (Ljudmila) and local hackerspace CyberPipe (Ljubljana), exhibited at Kapelica Gallery, Museum of Modern Art and MSUM Ljubljana, and travelled with his work all across Europe and further (New York and New Zealand).
Luka Prinčič is passionate about free software, science fiction, social awareness, critical expressions and peculiarity of contemporary human condition. He currently works at Emanat Institute and runs Kamizdat, a music label for adventurous music, in Ljubljana, Slovenia.
lukaprincic.si

THU 08.10. 20:00 [open session]
Open Session
https://live.fubar.space/b/fubar

A year overwhelmed with continuous forces majeures has also brought us changes in our program, hence we are opening up this hour-long session to the community to show&share their recent projects. No need to pre-apply – just be there 8-9pm CEST; bring your art and a mic or keyboard. <3 #fubar_expo #glitch_fam #stay_well #stay_home

FRI 09.10. 18:00 [URL&IRL discussion]
#fubar_expo 2k20 artists [**] : ROUND TABLE @ Siva & online [60’]
live.fubar.space/b/fubar

How strongly did the recent multiple global crises affect glitch artists specifically? Were we able to provide for ourselves, to care and nurture life and love, to heal and/or grow as artists and members of many [U/I]RL communities? Has any type of institutional/organizational/community support been provided to glitch arts in the wake of 2020? How has this year been different from previous ones, with respect to different geographies and socio-political contexts? What can we do to make it better?
We invite you to take part in an open discussion on these topics, as shared among the many festival artists, volunteers, visitors and organizers.

The talk is set up to be held online, but will also be available in the gallery space for ones not able to join via the net.
Any inquiries and further suggestions: fubar@hacklab01.org

* Important:
Due to current health&safety regulations on minimum physical distancing, participation is limited by the gallery size, and every physical space participant needs to previously individually register via email to be able to partake in the discussion: fubar@hacklab01.org
To ensure safety of all – participants are obliged to bring and wear their own masks or will be provided with face masks free of charge and mandatory to wear, and will have their temperature checked and hands desinfected. If you feel ill prior to the event, please #stay_home, #stay_kind and #stay_well.

FRI 09.10. 20:00 [online performance]
ZGAMU [MX] : Distopía [30’]
live.fubar.space/b/distopia

What is dystopia?
It is a multimedia project where the digital dreamlike landscapes and visual decomposition of ZGAMU are mixed in a dystopian narration.

Sofia Fuentes Tapia aka ZGAMU (1992; CDMX, Mexico), is a multidisciplinary artist dedicated to visual and sound art, artistic production and cultural management. Her background includes studying classical music at the Conservatory of Music of the State of Mexico, TIPAV visual arts studies, Tidal Cycles workshops and Ableton live. During 2017 she starts creating sound experiments resulting in the ZGAMU project. She has been awarded the PECDA TLAXCALA 2019 scholarship for her piece “500 Years” History in Sonoro, which portrays cultural exchange over time in the Tlaxcala region. Currently she works under the stage name of ZGAMU with audiovisual presentations where she explores both creativity and sensitivity, via electronic and digital devices. She also runs “Pony Records” – a musical production company, is a member of different artistic collectives such as FemiNoise and Cenzontlech among others, in addition to presenting sound experimentation work in different cultural venues.
facebook.com/zgamu

OPENING: SAT 03.10. 17CEST
SUN 04.10. – FRI 09.10. 00-24 [online exhibition]
EXHIBITION @ online [-1’]

In 2020 /’fu:bar/ exhibition is accessible as a web-based exhibition built in a virtual replica of our AKC Medika cultural venue. The exhibition is installed Oct 3-9 2020, and it features over 150 digital artworks by 80+ artists from all around the world.

See you online; remember to be excellent to each other. ♥
[expo.fubar.space]

For bug reports or inquiries contact us at: fubar@hacklab01.org

/'fu:bar/ 2020 PARTICIPANTS  

  // IMAGES

    Affar Oppip [BR] : MUDANÇAS (changes) [2020]
    Aleksandra Pieńkosz [PL] : sudo purge [2020], The Lovers 2020 [2020]
    Andrew Edgar [IE] : New Scaffolding I & II [2020], SDZ Conduit I & II [2020]
    Daniela Olejnykov [SK] : webCam model directory [2020]
    discordian action taskforce [NL] : p.png [2020]
    Eraef [FR] : BAO [2020]
    Francesco Seren Rosso [IT] : Dahlia [2020], Psychedelic Forest [2020]
    John Bumstead [US] : Untitled [2020]
    José Irion Neto [BR] : pgf_glitch_1-3 [2020]
    jrdsctt [US] : p̸̪͔̺͋͐̐̊͌̀͒͢͜ͅą̸̗̝͈̞͈͇̈͆̿̐̊̉̍̋͟͟͞r̶̛̹̦̺̯̯̂͑́̉͝a̷̢̺̯̤͖͇̋̋̀̃̕ṇ̴̦̥̻͇͈̙͍̆̈́̌͞͡ͅo̶̧̹̼̠̦͈̊̃̾̔̇͌͒͘ị̵̛̱͕͇̘͇̖̇̋̕͠͝͠͞ͅd̵̢̮͈̠̦̤̻̝̠͂̏̑̔̔͘ ä̧̮͓͕͉̳̻͙̅͌̊̑̒͡ͅn̴̝̣̺̭͍̒̀́͑̕͜ͅd̵͇̫̦̝̹̻͓̩̮̐̓́̐̚͠r̢͔̮̬̗̝͛͒̈̈́͌̕̕͡͝͠o̸̭̦̱͖̤͇̪͒́̀̀̿͞ḯ̶̡͎̙̗̟̻͎͛̾̄̐͌͐̔͗͟͝d̢̜͍̞̙͌̽̒͑̍ [2020],  Day 5: ｍａｊｅｓｔｙ [2020], Day 71: ｇｌａｓｓ ｅｙｅｓ [2020]
    Letsglitchit [US] : Pseudoconvergence  [2020]
    Mark Klink [US] : head.5.16.3 ,  head.5.04.2 [2020]
    Marllus Bisceglia [BR] : Gosh [2020]
    Mathieu St-Pierre [KR] : Government [2020]
    Micaela Valdivia [PE] : Oblivion [2020]
    Mila Gvardiol [RS] : Glitch Changes My Reality [2020]
    morekid, Soul Island [IT] : BETTER OFF ₲Ⱡł₮₵ⱧɆĐ [2020]
    Paul Hertz [US] : Corruption Triptych: Never believe your own lies, Whiteness is a metaphor for power, Deliquescence of the oligarch [2020]
    Priyanka Balwa / Pixel Cabaret  [IN] : "Summer Child" [2020]
    Qiuwen Li [US] : seeking something between the lines [2020]
    Ras Alhague [PL] : let's get sexual // greed // pinch [2020]
    Sabato Visconti [US] : City of Vapors (Volume 2) [2019]
    Tchidu [BR] : Ghost Parade [2019]
    Vivian Volcano, DeliciousVolcanicVolpina, Hecate [HR] : Viscose Transmutations [2020]
    Želimir Schauer [HR] : Passage [2020]
    Λαιν [CR] : Barricade [2020], Fais moi un bisou magique [2020], Self Hate and Love [2020]

  // TIME-BASED

   #loops
    Amio [HR] : I Don't Dance [2020]
    Ana jovanovska [MK] : esc [2015]
    Bob Georgeson [AU] : the message [2020]
    g1ft3d  [GT] : Portrait in purple  [2019], Valentines [2020], Saint Joseph [2020]
    JB Friquet [BE] : Not Everything [2020]
    llee [GB-SCT] : noosphear [2018]
    Milica Denković [RS] : Eve665 to Eve666  [2020]
    Mirna Udovčić [HR] : Quotes by architect Rem Koolhaas meet the AttnGAN tool. [2020]
    Systaime [FR] : Smile Glitch [2020]

   #videos
    Andre Perim [BR] : Broken rainbow [2020]
    Anna Christine Sands [US] : Tributez [2020], More Powerful [2020]
    Anna Tokareva [GB] : instastatic [2020]
    Avita Maheen [NL] : Ontological Expressions [2020]
    Brumat AnaBedouinDrone [NL/SY] : Mishimishan [2019]
    cyberboy666 & Alec Budd [DE] : gezeiten [2020]
    Daniela Olejnykov  /video/, Alapastel /music/ [SK] : ALAPASTEL - DEMON (official music video by Daniela Olejnykov) [2019]
    elle thorkveld [US] : Acceleration [2020]
    FLAG/2020_team[Bobac_pin9, Boo, DAC, j3d1n4, Miksitz, nastja, Valentina, Vedran; mentor: jonCates] [US/HR] : free_libre_art_-_glitch/2020 [2020]
    Hyeseon Jeong [DE] : Wavey [2017]
    Iqra Iqbal [PK] : Discrete Distortion [2020]
    Irfan Brkovic [BA/US] : Hypermosh  [2020]
    J-M Guyaux [US] : Click Clack Railroad Track [2020]
    James Cleeland [DE] : Electronic Gucci for Video Clothes [2019]
    JB Friquet [BE] : Territoires Hallucinés [2020]
    Lavoslava Benčić [SI] : Non-existent visitors [2020]
    leehz [GB-SCT] : 3.*company announcement* - stock liquidation. the 3rd part of a series on how to impose martial law with no resistance [2020]
    Letsglitchit [US] : the gods next door [2020]
    llee [GB-SCT] : phantasy [2017]
    Luca Tornato [NL] : STRAY HOME [2020]
    maja kalogera [HR] : Motion sickness [2020]
    Milos Peskir [RS] : Digital Fossil_lathe Mantis [2019]
    Mr. Matson Art [US] : A letter to Luis de Sant Angel Announcing His Discovery of [America]. [2020]
    nilson carroll [US] : Father/Daughter (Ghost Lion 1) [2020]
    Nominis [HR] : Five Little Ducks [2020]
    Pamela Limón [MX] : El cuerpo reciclado (The Recycled Body) [2020]
    Paul Beaudoin [EE] : Creativity is not a competition. [2020]
    Richard [US] : ontopolologies #2 [2020]
    Written and directed by Rudolf Lingens, Performer: Danielle Galietti, Vocal Performer: Roberto Santiago, Glitch Effects: Sabato Visconti, Score: King Green [US] : ASMR: Conscious Organ [2019]
    Sabato Visconti [US] : There Are Things You Can't Out Run [2020]

   #sound
    Evgeny Markov [RU] : first work - monatransient, second work - re-tape [2020]
    Paul Beaudoin [EE] : We Know Your Time Is Valuable [2020]

  // WEB-BASED

    Amanda Stojanov [US] : pink-noise.info, I am real [2020]
    Canek Zapata [MX] : ▂▃  ̋̋　̋ヾ(・ω・)メ(・ω・)ノ　 [2019]
    imriccardop [IT] : Change without choice [2020]
    nilson carroll [US] : Untitled (dragon warrior glitches) [2020]
    Sabato Visconti [US] : Glitch Hat 14: /’fu:bar/ [2019]
    sandra araújo [PT] : ⁹ 🄷O͇͉𝕃ᕮ [2020]

  // LECTURES

    @_the_s0urce_ [US] : Noise & Randomness [lecture]
    cyberboy666 [DE] : Introducing Sync-ope [lecture]
    Michael N. Meyer [US] : Signal / Trace [lecture]
    Rosa Menkman [NL] : Enhance, Boost, Revamp [lecture]

  // WORKSHOPS

    Eyal Gruss [IL] : Avatars in Zoom for All! [workshop]
    Syntonie [FR] : Live Circuit Bending [workshop]
    Teuta Gatolin [HR] : Magical objects: Nature, scanners, and companions [workshop]

  // PERFORMANCES

    Coaxial [US] : Live from Los Angeles [performance]
    Paloma Kop, Andrei Jay, Allen Riley, Rob Yohe, Irfan Brković : Recursive News [US] : Recursive News [performance]
    Mike Richison [US] : Electo Electro 2020 [performance]
    Nilson Carroll and Ian Downey [US] : Live NES Game Glitches + Noise [performance]
    Luka Prinčič [SI] : trans.fail [performance]
    ZGAMU [MX] : Distopía [performance]

SUN 04.10. – FRI 09.10. 17-20

EXHIBITION @ Siva [180’]

In 2020 the /’fu:bar/ group exhibition install is set up in the physical space of Siva gallery (AKC Medika, Pierottijeva 11, Zagreb), as well as mirrored online in our digital exhibition space (expo.fubar.space).

* Due to current health&safety regulations on minimum physical distancing – participation is limited by the gallery size, and visitors may need to be split in groups to be able to enter the gallery space. To ensure safety of all – everyone is obliged to bring and wear their own face masks without exception. If you feel ill prior to visiting, please #stay_home, #stay_kind and #stay_well.

/'fu:bar/ 2020 PARTICIPANTS  

  // IMAGES

    Affar Oppip [BR] : MUDANÇAS (changes) [2020]
    Aleksandra Pieńkosz [PL] : sudo purge [2020], The Lovers 2020 [2020]
    Andrew Edgar [IE] : New Scaffolding I & II [2020], SDZ Conduit I & II [2020]
    Daniela Olejnykov [SK] : webCam model directory [2020]
    discordian action taskforce [NL] : p.png [2020]
    Eraef [FR] : BAO [2020]
    Francesco Seren Rosso [IT] : Dahlia [2020], Psychedelic Forest [2020]
    John Bumstead [US] : Untitled [2020]
    José Irion Neto [BR] : pgf_glitch_1-3 [2020]
    jrdsctt [US] : p̸̪͔̺͋͐̐̊͌̀͒͢͜ͅą̸̗̝͈̞͈͇̈͆̿̐̊̉̍̋͟͟͞r̶̛̹̦̺̯̯̂͑́̉͝a̷̢̺̯̤͖͇̋̋̀̃̕ṇ̴̦̥̻͇͈̙͍̆̈́̌͞͡ͅo̶̧̹̼̠̦͈̊̃̾̔̇͌͒͘ị̵̛̱͕͇̘͇̖̇̋̕͠͝͠͞ͅd̵̢̮͈̠̦̤̻̝̠͂̏̑̔̔͘ ä̧̮͓͕͉̳̻͙̅͌̊̑̒͡ͅn̴̝̣̺̭͍̒̀́͑̕͜ͅd̵͇̫̦̝̹̻͓̩̮̐̓́̐̚͠r̢͔̮̬̗̝͛͒̈̈́͌̕̕͡͝͠o̸̭̦̱͖̤͇̪͒́̀̀̿͞ḯ̶̡͎̙̗̟̻͎͛̾̄̐͌͐̔͗͟͝d̢̜͍̞̙͌̽̒͑̍ [2020],  Day 5: ｍａｊｅｓｔｙ [2020], Day 71: ｇｌａｓｓ ｅｙｅｓ [2020]
    Letsglitchit [US] : Pseudoconvergence  [2020]
    Mark Klink [US] : head.5.16.3 ,  head.5.04.2 [2020]
    Marllus Bisceglia [BR] : Gosh [2020]
    Mathieu St-Pierre [KR] : Government [2020]
    Micaela Valdivia [PE] : Oblivion [2020]
    Mila Gvardiol [RS] : Glitch Changes My Reality [2020]
    morekid, Soul Island [IT] : BETTER OFF ₲Ⱡł₮₵ⱧɆĐ [2020]
    Paul Hertz [US] : Corruption Triptych: Never believe your own lies, Whiteness is a metaphor for power, Deliquescence of the oligarch [2020]
    Priyanka Balwa / Pixel Cabaret  [IN] : "Summer Child" [2020]
    Qiuwen Li [US] : seeking something between the lines [2020]
    Ras Alhague [PL] : let's get sexual // greed // pinch [2020]
    Sabato Visconti [US] : City of Vapors (Volume 2) [2019]
    Tchidu [BR] : Ghost Parade [2019]
    Vivian Volcano, DeliciousVolcanicVolpina, Hecate [HR] : Viscose Transmutations [2020]
    Želimir Schauer [HR] : Passage [2020]
    Λαιν [CR] : Barricade [2020], Fais moi un bisou magique [2020], Self Hate and Love [2020]

  // TIME-BASED

   #loops
    Amio [HR] : I Don't Dance [2020]
    Ana jovanovska [MK] : esc [2015]
    Bob Georgeson [AU] : the message [2020]
    g1ft3d  [GT] : Portrait in purple  [2019], Valentines [2020], Saint Joseph [2020]
    JB Friquet [BE] : Not Everything [2020]
    llee [GB-SCT] : noosphear [2018]
    Milica Denković [RS] : Eve665 to Eve666  [2020]
    Mirna Udovčić [HR] : Quotes by architect Rem Koolhaas meet the AttnGAN tool. [2020]
    Systaime [FR] : Smile Glitch [2020]

   #videos
    Andre Perim [BR] : Broken rainbow [2020]
    Anna Christine Sands [US] : Tributez [2020], More Powerful [2020]
    Anna Tokareva [GB] : instastatic [2020]
    Avita Maheen [NL] : Ontological Expressions [2020]
    Brumat AnaBedouinDrone [NL/SY] : Mishimishan [2019]
    cyberboy666 & Alec Budd [DE] : gezeiten [2020]
    Daniela Olejnykov  /video/, Alapastel /music/ [SK] : ALAPASTEL - DEMON (official music video by Daniela Olejnykov) [2019]
    elle thorkveld [US] : Acceleration [2020]
    FLAG/2020_team[Bobac_pin9, Boo, DAC, j3d1n4, Miksitz, nastja, Valentina, Vedran; mentor: jonCates] [US/HR] : free_libre_art_-_glitch/2020 [2020]
    Hyeseon Jeong [DE] : Wavey [2017]
    Iqra Iqbal [PK] : Discrete Distortion [2020]
    Irfan Brkovic [BA/US] : Hypermosh  [2020]
    J-M Guyaux [US] : Click Clack Railroad Track [2020]
    James Cleeland [DE] : Electronic Gucci for Video Clothes [2019]
    JB Friquet [BE] : Territoires Hallucinés [2020]
    Lavoslava Benčić [SI] : Non-existent visitors [2020]
    leehz [GB-SCT] : 3.*company announcement* - stock liquidation. the 3rd part of a series on how to impose martial law with no resistance [2020]
    Letsglitchit [US] : the gods next door [2020]
    llee [GB-SCT] : phantasy [2017]
    Luca Tornato [NL] : STRAY HOME [2020]
    maja kalogera [HR] : Motion sickness [2020]
    Milos Peskir [RS] : Digital Fossil_lathe Mantis [2019]
    Mr. Matson Art [US] : A letter to Luis de Sant Angel Announcing His Discovery of [America]. [2020]
    nilson carroll [US] : Father/Daughter (Ghost Lion 1) [2020]
    Nominis [HR] : Five Little Ducks [2020]
    Pamela Limón [MX] : El cuerpo reciclado (The Recycled Body) [2020]
    Paul Beaudoin [EE] : Creativity is not a competition. [2020]
    Richard [US] : ontopolologies #2 [2020]
    Written and directed by Rudolf Lingens, Performer: Danielle Galietti, Vocal Performer: Roberto Santiago, Glitch Effects: Sabato Visconti, Score: King Green [US] : ASMR: Conscious Organ [2019]
    Sabato Visconti [US] : There Are Things You Can't Out Run [2020]

   #sound
    Evgeny Markov [RU] : first work - monatransient, second work - re-tape [2020]
    Paul Beaudoin [EE] : We Know Your Time Is Valuable [2020]

  // WEB-BASED

    Amanda Stojanov [US] : pink-noise.info, I am real [2020]
    Canek Zapata [MX] : ▂▃  ̋̋　̋ヾ(・ω・)メ(・ω・)ノ　 [2019]
    imriccardop [IT] : Change without choice [2020]
    nilson carroll [US] : Untitled (dragon warrior glitches) [2020]
    Sabato Visconti [US] : Glitch Hat 14: /’fu:bar/ [2019]
    sandra araújo [PT] : ⁹ 🄷O͇͉𝕃ᕮ [2020]

  // LECTURES

    @_the_s0urce_ [US] : Noise & Randomness [lecture]
    cyberboy666 [DE] : Introducing Sync-ope [lecture]
    Michael N. Meyer [US] : Signal / Trace [lecture]
    Rosa Menkman [NL] : Enhance, Boost, Revamp [lecture]

  // WORKSHOPS

    Eyal Gruss [IL] : Avatars in Zoom for All! [workshop]
    Syntonie [FR] : Live Circuit Bending [workshop]
    Teuta Gatolin [HR] : Magical objects: Nature, scanners, and companions [workshop]

  // PERFORMANCES

    Coaxial [US] : Live from Los Angeles [performance]
    Paloma Kop and Andrei Jay [US] : Recursive News [performance]
    Mike Richison [US] : Electo Electro 2020 [performance]
    Nilson Carroll and Ian Downey [US] : Live NES Game Glitches + Noise [performance]
    Luka Prinčič [SI] : trans.fail [performance]
    ZGAMU [MX] : Distopía [performance]