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ARCHIVE, MEMORY, GLITCH
The film mistake has always been one of the foundations of fine art experimentation and artistic expansion. Starting with unusual cuts of analog film and animation, through the popularization of magnetic tape and the temptation of cathode-ray televisions – artists have always found a way to mirror the materiality of the medium itself in their work. But what can film materiality be in today’s almost completely digitized age, and how can ubiquitous video clips be related with previously known film narratives?
During the “ARCHIVE, MEMORY, GLITCH” workshop, the content of the CinEd digital platform was available to the participants for review, reference and work – three short, experimental, hybrid films from the collection Croatian films Part 2: The flow of time, which deals with the topic of archiving and manipulation of memory: “Market” by Ana Hušman, “The Place From Where I Write You Letters” by Nikolina Bogdanović and “Babajanja” by Ante Zlatka Stolica. The participants also used personal archives of video, image, written and/or sound recordings for their work, and created their own short experimental film by collaging various materials.
In the Fubar 2024 exhibition, over October 14, the 12 minute long work sequence will be shown as a 4 hour loop, accompanied by a mid-screening introduction and an open discussion with the authors and Format C starting at 6pm.
#fubar_expo x CinEd [HR]
Film authors:
Sunčica Škornjak: “The computer (doesn’t) save my memories”, 2024.
Mak Ratković Rajhvajn: “Trip”, 2024
Katarina Jelčić: “Kvartovska kugla”, 2024.
Viktor Rasol: “random”, 2024.
Lovro Ivanišević: “Error 1998”, 2024.
The workshop program was led by Format C Artist Organization and organized by the Association Shadow Casters as part of the CinEd project and the Frooom! film school, with the support of Creative Europe MEDIA, the Office for Associations of the Republic of Croatia, the City of Zagreb Office for Culture and Civil Society, and HAVC.
formatc.hr/arhiv-sjecanje-glitch
www.cined.eu
Filmska greška oduvijek je bila jedan od temelja likovnog ekperimenta i umjetničke ekspanzije. Počev s neobičnim rezovima analognog filma i animacije, preko popularizacije magnetske vrpce i iskušavanja katodnih televizora – umjetnici su uvijek pronalazili način da u djelu zrcale i materijalnost samog medija. No što filmska materijalnost može biti u današnjem, gotovo posve digitaliziranom dobu, i kakve veze sveprisutni video klipovi mogu imati s dosad poznatim filmskim narativima?
U tijeku radionice “ARHIV, SJEĆANJE, GLITCH”, polaznicima je na raspolaganju za pregled, referencu i rad bio dostupan sadržaj digitalne platforme CinEd – tri kratka eksperimentalna, hibridna filma iz kolekcije Hrvatski filmovi 2. Dio: Protok vremena, koja se bavi temom arhiviranja i manipulacije sjećanja: “Plac” Ane Hušman, “Mjesto odakle vam pišem pisma” Nikoline Bogdanović i “Babajanja” Ante Zlatka Stolice. Sudionici su za rad koristili i osobne arhive video, slikovnih, pisanih i/ili zvučnih zapisa te kolažiranjem raznih materijala napraviti vlastiti kratki eksperimentalni film.
U programu Fubar izložbe, tijekom izložbenog dana 14. listopada, djela će biti prikazana kao dvanaestominutna sekvenca u četverosatnoj video petlji, uz središnje predstavljanje filmova i otvorenu diskusiju s voditeljima radionice i autorima filmova, s početkom u 18h.
#fubar_expo x CinEd [HR]
Autori_ce filmova:
Sunčica Škornjak: “Računalo (ne)čuva moja sjećanja”, 2024.
Mak Ratković Rajhvajn: “Trip”, 2024
Katarina Jelčić: “Kvartovska kugla”, 2024.
Viktor Rasol: “nasumi;no”, 2024.
Lovro Ivanišević: “Error 1998”, 2024.
Radionicu je vodila umjetnička roganizacija Format C, u programu koji je organizirala Udruga Bacači sjenki u sklopu projekta CinEd i filmske škole Frooom!, uz potporu Creative Europe MEDIA, Ureda za udruge RH, Grada Zagreba Ured za kulturu i civilno društvo te HAVC-a.
formatc.hr/arhiv-sjecanje-glitch
www.cined.eu
